EVA BOSCH:
Paintings 1980 – 2020
Extract from preface by Rafael Peñas Cruz
Her paintings are a raid into the unseen world of messy feelings and cryptic concepts. They depict the existential pains and sentimental heartaches behind our pleasures and joys. We can see in her images a reflection of our fears and desires. Like most Spanish art, hers is a lived one and not an intellectual abstraction. She studied art in Holland, and the Dutch tried in vain to tone down her visceral approach to life. She listened, learned and took on board whatever was of use to her, but she ultimately chose to ignore their advice. Eva´s joys and pains do not fit into a cold Mondrian conceptualisation. Like Goya´s, Eva´s art is soaked in flesh and blood. It is not concerned with existence as thought, but as experience.
The Oxford Handbook of Light in Archaeology
Edited by Costas Papadopoulos and Holley Moyes
Oxford Handbooks
The first volume of its kind to address the impact and influence of light in different facets of archaeology, from myth and ritual to houses and museum exhibitions.
Combines theory and methodology from archaeology, anthropology, architecture, urban design, art, philology, and computer science.
Arranged in a thematic structure based on uses of light in different spatial contexts to allow quick reference to specific aspects of light in archaeology.
Richly illustrated throughout.
Cover photo by Eva Bosch.
Click here for PDF of my chapter.
Dark Vales
Author: Raimon Casellas
Translator: Alan Yates Edited by: Eva Bosch
The first English translation of a classic of fin de siècle Catalan literature.
Foreigner
Author: Eva Bosch
22 Poemes
Author: Eva Bosch